This volume uncovers the ideas concerning everyday life circulating in the burgeoning feminist periodical culture of Britain in the early twentieth century. Barbara Green explores the ways in which the feminist press used its correspondence columns, women's pages, fashion columns and short fictions to display the quiet hum of everyday life that provided the backdrop to the more dramatic events of feminist activism such as street marches or protests. Positioning itself at the interface of periodical studies and everyday life studies, Feminist Periodicals and Daily Life illuminates the more elusive aspects of the periodical archive through a study of those periodical forms that are particularly well-suited to conveying the mundane. Feminist journalists such as Rebecca West, Teresa Billington-Greig, E. M. Delafield and Emmeline Pethick Lawrence provided new ways of conceptualizing the significance of domestic life and imagining new possibilities for daily routines. /p>

Alain Badiou, Quentin Meillassoux, Catherine Malabou, Michel Serres and Bruno Latour: this new generation of French philosophers is laying fresh claim to the human. Across a number of new strains of philosophy, they are rethinking humanity's relationships: to 'nature' and 'culture', to the objects that surround us, to the possibility of social and political change, to ecology and even to our own brains. Christopher Watkin draws out both the promises and perils of these new philosophies. And he shows just how high the stakes are for our technologically advanced but socially atomised and ecologically vulnerable society.

What is human trafficking? Despite legislative developments and national and international interventions, we still lack firm definitions, estimates of its full extent, effective responses to perpetrators and sound survivor care. This volume critically examines the competing discourses surrounding human trafficking, the conceptual basis of global responses and the impact of these horrific acts worldwide.

In this book Barbara Green demonstrates how David is shown and can be read as emerging from a young naive, whose early successes grow into a tendency for actions of contempt and arrogance, of blindness and even cruelty, particularly in matters of cult. However, Green also shows that over time David moves closer to the demeanor and actions of wise compassion, more closely aligned with God. Leaving aside questions of historicity as basically undecidable Green's focus in her approach to the material is on contemporary literature. Green reads the David story in order, applying seven specific tools which she names, describes and exemplifies as she interprets the text. She also uses relevant hermeneutical theory, specifically a bridge between general hermeneutics and the specific challenges of the individual (and socially located) reader. As a result, Green argues that characters in the David narrative can proffer occasions for insight, wisdom, and compassion. Acknowledging the unlikelihood that characters like David and his peers, steeped in patriarchy and power, can be shown to learn and extend wise compassion, Green is careful to make explicit her reading strategies and offer space for dialogue and disagreement.

One of the most surprising discoveries of our time is that the universe is an unfolding and highly creative story: a cosmogenesis. In Journey of Faith, Journey of the Universe, Br. Ivan Nicoletto reveals how very insightful the Scripture and its commentary tradition are to these deep and cosmic perspectives, thus surprising even seasoned Bible-hearers with fresh understanding. It will serve as rich nourishment to anyone involved in the ministry of preaching or who wants to explore the lectionary in a new way. The distinction of the book is Br. Ivan's capacity to speak with depth and originality on both the Scripture readings and the cosmic spirituality, in fact, to blend them usefully, insightfully. This selection of homilies offered on various Sundays and holy days of the three-year lectionary cycle offers fresh insights on the readings for the day to those who are also open to the challenge to theology and Scripture that comes from new cosmology.

In this book Barbara Green demonstrates how David is shown and can be read as emerging from a young naive, whose early successes grow into a tendency for actions of contempt and arrogance, of blindness and even cruelty, particularly in matters of cult. However, Green also shows that over time David moves closer to the demeanor and actions of wise compassion, more closely aligned with God. Leaving aside questions of historicity as basically undecidable Green's focus in her approach to the material is on contemporary literature. Green reads the David story in order, applying seven specific tools which she names, describes and exemplifies as she interprets the text. She also uses relevant hermeneutical theory, specifically a bridge between general hermeneutics and the specific challenges of the individual (and socially located) reader. As a result, Green argues that characters in the David narrative can proffer occasions for insight, wisdom, and compassion. Acknowledging the unlikelihood that characters like David and his peers, steeped in patriarchy and power, can be shown to learn and extend wise compassion, Green is careful to make explicit her reading strategies and offer space for dialogue and disagreement.

A contemporary mystery using a biblical plot set in Oxford, UK.

3 WHY IS THE BOOK BEING WRITTEN I recently returned to school at age 73 to gain my doctorate. Now, as many have questioned, why did I return to school at the ripe old age of 73? My answer, I enjoy life. I am eager to learn different things. I want my mind to stay active and alert, but most of all; I don't want to sit in a rocking chair and knit in an old mother Hubbard house dress. What I resent most are my 70 plus counterparts that think my returning to school is a waste of time. However, my younger cohorts think it is marvelous that I have returned to school. I believe society has programmed our senior population to think after 65 your life should stop. Unfortunately, many of my friends and acquaintances strengthen this fallacy and see old age as an end to life when it is the beginning of a new and exciting era and phase in their life So, they sit around and say woe is me, stop dressing attractively, become immobile and psych themselves up to believe that there is only sadness in growing old. At the age of 77, I think old age is hilarious, so I decided to put my funny shared experiences of aging in a book. I hope the comedic experiences will change how my counterparts view aging, give them a good laugh, and persuade them to embrace aging as a new dawn that is just as exciting as entering adulthood at 21. Recognizing the humor in growing old will make life more enjoyable and keep a smile on your face. When I First Realized I Was Old I have always believed age was just a number, and shoo shooed any articles that dictated slowing down after age sixty-five. Articles that extolled stop working and retiring at 65; your sexual tendency will slowly fade (hmm, not yet ). You will start to gain weight, and lose your shape (truism - but only if you stop being active). However, I ignored age creeping up even though I no longer could prop my foot up on the bed or chair and bend over to polish my toenails - Oh my God Something either shrunk or my arms got shorter. At that point, I should have given credence to old age catching up with me. However, there is nothing that brings the reality of the incorrect view you hold of yourself than through the innocent eyes of young children because they speak the truth without the frills. My darling, 7 year old granddaughter came home from school excited because her teacher told the girls in the class that they could become anything they wanted to become -- a doctor, engineer or even the president of the United States Like any well-meaning grandmother, I proceeded to act as excited as my granddaughter, and we both for a few seconds jumped up and down and laughed. All of a sudden my granddaughter stopped and with a quizzical frown looked up and asked, Granny, why did you decide to become old, didn't you know you could be something else? So much for age is just a number

Join Oscar on his first adventure to find his true identity in the great unknown Oscar is an exciting story about an ordinary, black spider who is not satisfied with his life. He lives in a delightful spider community filled with many colorful spiders and decides to venture out of his lush environment to discover his own identity in uncharted territory. Oscar has a good friend, named Joy, who encourages him to travel on his challenging, spiritual journey. Along the way, Oscar meets spiders who want to eat him, encounters unexpected challenges to his survival and a number of other creatures who help him to find his own true self. Oscar discovers the marvels of the Spider Merchandise Store, the Ancient Spider Library and he learns many new things which take him on a life-changing odyssey. But in the end, he travels to a place which gives him the secret to true, inner happiness. Yes, Oscar's identity is revealed to him in the place he least expects it

The best medical care available, professionals always in attendance, final days spent with a loving family: All factors suggest a peaceful end for the old man. But it's whispered that the death of powerful patriarch Jake Lavarone was not natural. His death calls attention to a hedge of silence that both protects and entraps his prominent family. Determined academic sleuth Father Brendan Byrne makes his way into family secrets ancient and fresh: counterfeit ration coupons, a vanished favored son, a neglected and neurotic granddaughter, desperate additions of a spoiled scion. How to untangle the deeds of the guilty without harming the innocent? Located at the soft-boiled end of the mystery spectrum, Woven Silence is pitched to lovers of academic mysteries who delight in basically decent characters caught up in events that challenge them to do well. The setting is Berkeley's liberal and interreligious Graduate Theological Union, with city and University of California as backdrop. Woven Silence combines a classic biblical plot (the Genesis story of Joseph and his brothers) with a contemporary one: the inexplicable disappearance of a son from his family, fraternal animosity and guilt, parental favoritism, complex motivations, the beginnings of reconciliation.

The book of Jonah has been richly commented upon by centuries of Christians and Jews. Writers of prose and poetry have loved it as well as those interested in liturgy. Jonah is a small book, and yet it is placed with issues that have shown themselves existentially powerful over time and among readers of many types and cultures. In essence, Jonah's journey's among interpreters have had a great deal of territory to explore. In Jonah's Journey's, Barbara Green, OP, focuses on the character Jonah and explores the variety of ways in which the prophet and the book have been represented and understood by various interpreters. The question of how readers construct meaning is central to the text. Barbara Green, OP, Ph.D., is professor of Biblical Studies at the Dominican School of Philosophy and Theology at the Graduate Theological Union in Berkeley. She is editor of the Interfaces series published by Liturgical Press and author of several books within the series including: King Sal's Asking and From Earth's Creation to John's Revelation: The Interfaces Biblical Storyline Companion.

Who should lead us? Who should we, as a community, look to for guidance? These questions, as old as humankind, followed the Israelite community upon their return from the Exile: Should they return with Davidic kingship or without it? Their answer was King Saul. Reading Israel's first king as a riddle or the epitome of Israel's experience with kingship, King Saul's Asking explores the characterization of the figure Saul, the question of the apparent silence of God, the multiple complexities of responsibility for kingship, and the readers'opportunities for transformation. It provides a new approach to the Old Testament, supplying the reader with not only an in-depth character study but also an interesting, insightful read, and opportunity for transformation. Chapters are "Asking a Child (1 Samuel 1-3)," "Seeking a Refuge (1 Samuel 4-7)," "Request for a King (1 Samuel 8-12)," "Obedience Wanted, Wanting (1 Samuel 13-15)" "Suspecting the Dreaded (1 Samuel 16-19)" "Futile Searching (1 Samuel 20-23)," "Sensing the Silent (1 Samuel 24-26)," and "Final Questions." Receive From Earth's Creation to John's Revelation FREE with the purchase of two or more Interfaces volumes. Mention this offer in the comment section of the order form when placing your order or call 1.800.858.5450. Barbara Green, OP, PhD, is a professor of biblical studies and a member of the core doctoral faculty at the Dominican School of Philosophy and Theology, Graduate Theological Union, Berkeley, California. Editor of the Interfaces series, she also wrote Like a Tree Planted, published by Liturgical Press.

This text discusses how the characterization of Saul shows that kingship failed, why it did, and how the institution would need to be ended. It marries the following elements: a given text (1 Samuel), a focal character (King Saul), a spacious and creative theorist (Mikhail Bakhtin) and a historical context (the collapse of monarchic Israel and the moment for return. The dilemma for the exile community is to return with royal leadership or without it). The text poses the question of whether a character can be a cipher for a corporate experience - does Saul represent the whole monarchic experience? The thesis of the work is that Israel's first king is authored in such a way that the narrative of 1 Samuel may be read as a riddle propounding the complex story of Israel/Judah's experience with kings as an instruction for those pondering leadership choices in the sixth century. The work is an extended reflection on what went wrong with kings and why new leadership must be attempted. The extended riddle of Saul works to show how the life of the king is fundamentally destructive, not because he is malicious, but because of many factors of weakness and inadequacy that should be familiar to readers.

How well are the psalms understood? The parables seem more accessible, but are they? And as familiar as we are with the texts of the psalms and the parables, how open are we to new perspectives on them?

The studies in "Like a Tree Planted," the first volume in the "Connections" series, encourage readers to deepen their understanding of the psalms and parables and to grow in their relationship with God. "Like a Tree Planted" invites reflection on eight pairs of psalms and parables by highlighting their shared metaphor. These images, familiar from our everyday lives as well as from both testaments, encourage fresh insights from familiar scriptural texts.

The psalms presented here, al from the first book of the Psalter, and the parables, selected from Luke's Gospel, speak deeply and collaboratively through figures of the tree, our stature and status, searching faces, feelings of entitlement and responsiveness, the ecosystem, shepherding, the storehouse, and the other side."

An introductory chapter in "Like a Tree Planted" introduces readers to the process of reading metaphorically, and a concluding chapter draws implications from the reading of these particular psalm and parable texts as a set.

Barbara Green believes that many people want to explore both in language and in experience the mysteries of God and our own human condition. With her exciting, imaginative style she offers help for those on that journey those interested in prayer and in a deeper access to Scripture, those working with adult parish groups, preachers of Scripture, those doing retreat work, and individuals.

Chapters are "Introduction to Metaphor in Psalm and Parable," "The Rooted Tree: Psalm 1 and Luke 13:1-9," "Stature: Psalm 8 and Luke 15:11-32,""Searching Faces: Psalm 27 and Luke 18:9-18," "Entitlement and Responsiveness: Psalm 18 and Luke 18:1-8," "The Ecosystem: Psalm 7 and Luke 16:1-9," "Shepherding: Psalm 23 and Luke 15:3-7," "The Storehouse: Psalm 39 and Luke 12:13-21," "The Other Side: Psalm 41, Luke 10:25-29," and "Conclusion."

"Barbara Green, OP, PhD, teaches Scripture and spirituality at the Graduate Theological Union in Berkeley and works with adult groups interested in deepening their spiritual commitment. She is the author of ""What Profit for Us?" Remembering the Story of Joseph."

At the outbreak of the Second World War, Britain's manpower crisis forced them to turn to a previously untapped resource: women. For years it was thought women would be incapable of serving in uniform, but the ATS was to prove everyone wrong. Formed in 1938, the Women's Auxiliary Territorial Service was a remarkable legion of women; this is their story. They took over many roles, releasing servicemen for front-line duties. ATS members worked alongside anti-aircraft gunners as 'gunner-girls', maintained vehicles, drove supply trucks, operated as telephonists in France, re-fused live ammunition, provided logistical support in army supply depots and employed specialist skills from Bletchley to General Eisenhower's headquarters in Reims. They were even among the last military personnel to be evacuated from Dunkirk. They grasped their new-found opportunities for education, higher wages, skilled employment and a different future from the domestic role of their mothers. They earned the respect and admiration of their male counterparts and carved out a new future for women in Britain. They showed great skill and courage, with famous members including the young Princess Elizabeth (now about to celebrate her Diamond Jubilee as Britain's Queen) and Mary Churchill, Sir Winston's daughter. Girls in Khaki reveals their extraordinary achievements, romances, heartbreaks and determination through their own words and never-before published photographs.

Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata's The Ring (Ringu, 1998) or Takashi Miike's Audition (Odishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike throughout the world have been keen to observe and analyze the popularity and roots of the phenomenon that took the horror scene by storm, producing a corpus of cultural artefacts that still resonate today. Further, Japanese horror is symptomatic of its social and cultural context, celebrating the fantastic through female ghosts, mutated lizards, posthuman bodies, and other figures. Encompassing a range of genres and media including cinema, manga, video games, and anime, this book investigates and analyzes Japanese horror in relation with trauma studies (including the figure of Godzilla), the non-human (via grotesque bodies), and hybridity with Western narratives (including the linkages with Hollywood), thus illuminating overlooked aspects of this cultural phenomenon.

Charles Green tells here the dramatic story of the initial excavation of Sutton Hoo, one of the richest archaeological finds of all time. In the Sutton Hoo burial grounds scientists unearthed a ship containing the treasures of a king who was most likely the last of the pagan rulers of East Anglia. Green guides us through the scientific significance of the Sutton Hoo discovery: the beautiful jewelry indicates the high level of Anglo-Saxon artistic culture, the royal insignia offers clues to the organization of the East Anglican kingdom and its relations with neighboring regimes, while the burial ships themselves inspire new hypotheses regarding Anglo-Saxon immigration routes. Any reader will be irresistibly drawn to learn more of this archaeological dig which has uncovered such intriguing relics of our medieval ancestors. This edition takes into account discoveries that have been made since the publication of the original edition. Barbara Green, an archaeologist in East Anglia and Charles Green's daughter, has revised and updated the original text of her father's book.

"Cheap grace is the mortal enemy of our church. Our struggle today is for costly grace." And with that sharp warning to his own church, which was engaged in bitter conflict with the official nazified state church, Dietrich Bonhoeffer began his book Discipleship (formerly entitled The Cost of Discipleship). Originally published in 1937, it soon became a classic exposition of what it means to follow Christ in a modern world beset by a dangerous and criminal government. At its center stands an interpretation of the Sermon on the Mount: what Jesus demanded of his followersand how the life of discipleship is to be continued in all ages of the post- resurrection church. "Every call of Jesus is a call to death," Bonhoeffer wrote. His own life ended in martyrdom on April 9, 1945. Freshly translated from the German critical edition, Discipleship provides a more accurate rendering of the text and extensive aids and commentary to clarify the meaning, context, and reception of this work and its attempt to resist the Nazi ideology then infecting German Christian churches.

In Jeremiah and God's Plan of Well-being, Barbara Green explores the prophet Jeremiah as a literary persona of the biblical book through seven periods of his prophetic ministry, focusing on the concerns and circumstances that shaped his struggles. Having confronted the vast complexity of scholarly issues found in the Book of Jeremiah, Green has chosen to examine the literary presentation of the prophet rather than focus on the precise historical details or the speculative processes of composition. What Green exposes is a prophet affected by the dire circumstances of his life, struggling consistently, but ultimately failing at his most urgent task of persuasion. In the first chapter Green examines Jeremiah's predicament as he is called to minister and faces royal opposition to his message. She then isolates the central crisis of mission, the choice facing Judah, and the sin repeatedly chosen. Delving into the tropes of Jeremiah's preaching and prophecy, she also analyses the struggle and lament that express Jeremiah's inability to succeed as an intermediary between God and his people. Next Green explores the characterisations of the kings with whom Jeremiah struggled and his persistence in his ministry despite repeated imprisonment, and, finally, Green focuses on Jeremiah's thwarted choice to remain in Judah at the end of the first temple period and his descent into Egypt after the assassination of Gedaliah. In Jeremiah and God's Plan of Well-being, Green shows the prophet as vulnerable, even failing at times, while suggesting the significance of his assignment and unlikelihood of success. She explores the complexities of the phenomenon of prophecy and the challenges of preaching unwelcome news during times of uncertainty and crisis. Ultimately Green provides a fresh treatment of a complex biblical text and prophet. In presenting Jeremiah as a literary figure, Green considers how his character continues to live on in the traditions of Judaism and Christianity.

Report on the largely cremation cemetery excvated in the 1930s; full illustration of pots and other items. Discussion of pottery by Myres, and interesting comments on other objects by Barbara Green.